As I have mentioned before, my main emphasis in the research of fashion history focuses on the intersections between fashion, politics and identity. I am particularly interested in the late-colonial and postcolonial periods in Colombia and Latin America, and I am fascinated by the ways in which dress, and appearances in general, became central to the creation of an identity in the centuries where the “old” world was re-shaped into what we live today.
To study these intersections between fashion, politics and identity, however, is no easy task. In the case of Latin America, it is particularly difficult because most areas of cultural production have been understudied, especially in relation to fashion. Moreover, because collections of historical dress are virtually inexistent in the region—contrasting with the rich collections that abound in Europe and North America—as a fashion historian you have to become creative in the use of sources and borrow methodologies from a variety of areas of inquiry from different historical traditions.